Browse our collection of fantasy reviews and ratings.Showing 4 of 4 reviews.
The Green Knight is a visually striking and meditative fantasy film that reimagines the old Arthurian poem about Sir Gawain’s quest. It’s not your traditional swords-and-dragons epic; it’s much quieter, lingering on atmosphere and inner struggle. The main character, played by Dev Patel, is tasked with seeking out the enigmatic Green Knight after a strange Christmas game goes awry. The story unfolds as a kind of poetic road trip full of bizarre encounters and moral challenges. What stood out right away for me was the haunting cinematography — misty forests, muted golds and greens, and wide, spare landscapes that feel more dreamlike than real. There’s a sense that every scene was composed like a painting. The costumes and production design are also unexpectedly detailed, giving the world a deep, mythic feel without making it flashy or artificial. Dev Patel gives a really strong performance, bringing depth to a character who’s both flawed and sympathetic. Alicia Vikander pops up in a memorable dual role, and Ralph Ineson’s Green Knight is both intimidating and oddly gentle at times. There are some surreal moments, too — strange giants, talking foxes — that stand out more for their eerie atmosphere than for any typical fantasy spectacle. If there’s a flaw, it’s the pacing: the story takes its time. Those expecting big battles or a conventional heroic arc might feel a bit restless, especially in the middle stretch. Sometimes the film gets lost in moodiness and ambiguity, and it doesn’t always spell out its symbols or intentions, which can be frustrating if you want more straightforward storytelling. You would enjoy this if you like moody, slow-burn fantasy that leans into folk tales, psychological journeys, and beautiful but unsettling mystery. It’s for people who respect a movie that asks questions instead of giving answers, and who appreciate a good visual feast even when the storyline feels elliptical.
Stardust is this wonderfully whimsical fantasy adventure that somehow feels both classic and a little bit cheeky. It follows a young man venturing into a magical realm to retrieve a fallen star for his beloved, only to discover that the "star" is actually a person - and things immediately get weirder and much more charming. The world-building is especially fun, packed with sky pirates, witches, and always a magical twist waiting around the corner. What really stands out for me is its quirky, fairy-tale vibe mixed with clever humor. Michelle Pfeiffer is having the time of her life as a villainous witch, and Robert De Niro’s flamboyant captain is totally unexpected and hilarious. Visually, it holds up surprisingly well for its age, with a dreamy, storybook aesthetic that never takes itself too seriously. It doesn’t always stick the landing - some of the romance beats are a little formulaic, and a couple of supporting characters don’t get their due. But if you like fantasy where the winks to the audience never break the spell, or if you just want something lighter than your usual epic, this is a super enjoyable choice. Great for anyone who liked The Princess Bride or ever wished for a slightly weirder fairy tale.
"Pushing Daisies" is a colorful, whimsical drama about a pie-maker with the power to bring the dead back to life - with some rather significant consequences. The show, from the creative mind of Bryan Fuller ("Hannibal," "American Gods"), successfully blends oddball humor with deep emotion and stunning visuals. It's a love story, a murder mystery, and a magical fairy tale all rolled into one. The standout element of this show is the incomparable chemistry between leads Lee Pace and Anna Friel. Pace's pie-maker character is earnest and anxious, while Friel's childhood love is vibrant and charming. Their forbidden romance is the heart of the series, surrounded by a cast of eccentric characters that add richness to the narrative. The show often tackles death, but it does so with a lighthearted touch that never feels morbid. Unfortunately, "Pushing Daisies” was cut short after only two seasons due to the 2007–2008 Writers Guild of America strike, leaving many unresolved storylines. Nonetheless, it’s a feel-good show which creates its own unique world full of vibrantly-colored scenery and outlandish humor. It’s an unusual blend of comedy, mystery, and romance that passionate viewers of those genres might find intriguing.
Wings of Desire is a West-German romantic fantasy film directed by Wim Wenders. It explores the theme of eternal watchfulness and longing, with angels as the protagonists who observe humans and mankind's poignant existence. The movie's poetic and philosophical nature makes it a cinematic wonder, with its profound exploration of love, desire, and the profound beauty of the mundane. Narration forms a significant part of the storytelling as the angels poignantly express their desire to touch, taste and truly feel the human experience. Bruno Ganz as the desiring angel Damiel has delivered an intense and innocent performance. The film's monochrome aesthetic supplemented by occasional washes of color offers visual splendour that complements the philosophical underpinnings. Enveloped in the notes of the harmonious music by Jürgen Knieper, the film is a poetic exploration of existence, offering a rewarding viewing experience for those who appreciate understated narratives. Wings of Desire is certainly a must-watch for lovers of philosophical cinema, promising a visually and aurally entrancing experience.