Quick Info
"Bandstand" is a 2017 Broadway musical that was adapted into a filmed stage production for cinemas in 2018. Set right after World War II, it follows a group of veterans struggling to readjust to civilian life who form a swing band to enter a national radio contest. It’s both a toe-tapping celebration of 1940s swing and a surprisingly raw look at the lingering effects of war—kind of a rare combo in musicals, and it really works most of the time.
Corey Cott and Laura Osnes lead the cast, and both are just electric. Osnes, in particular, brings this gentle strength and has a voice that’s at once classic and totally heartfelt. The choreography is legitimately impressive—Andy Blankenbuehler's work is instantly dynamic, and he gives every number a tight, propulsive energy that makes you wish you could see it in person. The big band numbers are an absolute highlight; you’ll want to replay "Welcome Home" more than once.
What makes "Bandstand" stand out isn’t just its music (which is original and very much in the swing tradition), but its willingness to delve into PTSD and survivor’s guilt—stuff a lot of musicals shy away from, especially in flashy period settings. Sometimes the heavier scenes do get a little too on-the-nose, and the script can handhold its messages. Still, there’s honest heart in the way it addresses trauma, camaraderie, and finding hope through music.
Production-wise, since you’re watching a filmed stage version, the cinematography aims for intimacy rather than spectacle. There are a couple of flatly shot moments (you can tell it’s for an audience, not a camera), but for the most part, it brings you close enough to catch all those subtle actor beats and dance details you might miss from the balcony. The costumes and set are appropriately 1940s lush—the period vibe is spot on without feeling kitschy.
You would enjoy this if you like classic musicals with an emotional edge, or if you’re a fan of swing music and solid choreography. It’s a great pick for anyone curious about how musicals can tackle real topics, not just escapism—think "Come From Away" with a brass section. Probably not one for someone looking for a traditional happy-go-lucky show, but well worth checking out if you appreciate a thoughtful, heartfelt story in your musicals.
