Professor Marston and the Wonder Women

This is one of those biographical dramas that genuinely surprised me. It tells the fascinating true story behind the creation of Wonder Woman — but it’s less about superheroes and more about the unconventional relationship between psychologist William Moulton Marston, his wife Elizabeth, and their partner Olive Byrne. The film explores not just the origins of a comic book icon, but the complexities of love, trust, and social boundaries in early 20th-century America.

What stood out straight away was the chemistry among the three leads: Luke Evans, Rebecca Hall, and Bella Heathcote. Their performances are deeply felt and never veer into melodrama, even as the story addresses taboo topics like polyamory and BDSM. The movie doesn’t treat these subjects as shock value but as core aspects of who these people were and what bound them together, and it’s easy to feel invested in their struggles as a result.

The storyline moves at a gentle but deliberate pace. Sometimes, it does feel like it lingers a bit too long on the couple’s personal negotiations and conflicts, which can drag the middle act. Still, it fits with the film’s character-driven focus — if you like intricate emotional arcs more than explosive plot points, you’ll probably appreciate the extra depth.

Visually, there’s a lush, slightly theatrical look to the cinematography. The setting feels period-accurate but not stuffy, and the attention to detail in costumes and set design is impressive. There are a few moments where it feels a little too polished or “movie-ish,” but it's generally immersive and pleasing to look at.

You would enjoy this if you like biopics that dive deep into the messy, complicated parts of human relationships, especially ones that aren’t sanitized for mainstream tastes. Fans of Hidden Figures or The Danish Girl will probably find something to love here, especially if you’re curious about the real-life origins of pop culture phenomena.